UF School of Art
& Art History.

Across three exhibitions spanning four years, I worked as a co-curator, installation artist, exhibition photographer, marketing designer, and participating artist — wearing every hat in the exhibition production process and developing a rare end-to-end fluency in how shows are made.

My role in each show went well beyond hanging work on walls. I was involved in curatorial decision-making, the physical labor of installation and preparation, the design and printing of wall labels and marketing materials, and the documentation of each show through professional photography. And in all three exhibitions, I was also a participating artist — showing my own work alongside the artists I was helping to platform.

This dual identity as both maker and organizer is central to how I understand exhibition work. I know what it feels like to have your work installed, and that shapes how I treat every other artist's work in my hands.